Mondo film

A mondo film is a documentary film, sometimes resembling a pseudo-documentary, usually depicting sensational topics, scenes, and situations. The genre has been called "shockumentary".

The genre started with the Italian film Mondo Cane (A Dog's World, also a mild Italian curse; "mondo" literally means "world") made in 1962 by Paolo Cavara, Gualtiero Jacopetti, Franco Prosperi and proved quite popular. Mondo films are often easily recognized by name, as even English language mondo films often included the term "mondo" in their titles. Over the years the film makers wanted to top each other in shock value in order to draw in audiences. Cruelty to animals, accidents, tribal initiation rites and surgeries are a common feature of a typical mondo. Much of the action is also staged, even though the film makers may claim their goal to document only "the reality".

The Russ Meyer film Mondo Topless was one of the few "documentaries" restricted to the old midnight movie circuit of the pre-VCR era, as it explored strip clubs in 1960s San Francisco, at a time when strip clubs were a novelty in the United States restricted to centers of port-city decadence such as San Francisco.

Other examples of movies in this genre include Mondo di Notte by Gianni Proia, Mondo Balordo by Roberto Bianchi Montero, and the parody Mondo Ford by Ricardo Fratelli.

The eighties saw a resurgence of mondo movies, though now they focused almost solely on onscreen death, rather than cultures of the world. The Faces of Death series is probably the best known example of this type of mondo, or 'death' movie. The producers at this time still used some faked footage, passed off as real, but the majority of the footage was legitimate. This includes scenes of real autopsies, suicides, accidents, and other curiosities.