Kasper T. Toeplitz
Composer
Phill Niblock...Ranaldo, Thurston Moore, Susan Stenger, and Robert Poss on Guitar Too, for Four (G2,44+1x2); Ulrich Krieger, Carol Robinson, Kaspar T. Toeplitz, and Reinhold Friedl, on Touch Food; and many others. Since 2003, Niblock has frequently toured... In this article: Phill Niblock, Morton Feldman, New York, DVD, Ghent, Petr Kotik, and Economics |
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Wikipedia | October 21, 2009
Eliane Radigue
...Golden Nica Award at the festival Ars Electronica in Linz. In 2001 upon request from the double bass and electronic composer Kasper T. Toeplitz, she makes her first instrumental work Elemental II, a work taken up again with the laptop...
In this article: Eliane Radigue, Paris, Pierre Schaeffer, New York, Yves Arman, Milarepa, Pierre Henry, Biogenesis, and Charles Curtis
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Olivier Manchion
...Ulan Bator". From 1995 to 1998, Olivier also performs several times with Sleaze Art, a 30 guitars collective by Kasper T. Toeplitz (Ircam). Among others, "Zora Mudd" performances at la Fondation Cartier (1995, Paris-fr), Macba (1996,...
In this article: Olivier Manchion, Ulan Bator, Faust, Paris, Permanent Fatal Error, Werner "Zappi" Diermaier, and France
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Kasper T. Toeplitz
...talking composition here: you can even check out the score online at the sleazeart website, and very interesting it is too - by Kasper Toeplitz for KERNEL, his laptop trio with Eryck Abecassis and Wilfried Wendling. There's plenty of...
In this article: Eliane Radigue, Iannis Xenakis, Zbigniew Karkowski, Phill Niblock, Eryck Abecassis, Dror Feiler, and Art Zoyd
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Or Records
...Aphex Twin, Beautyon, CD_Slopper, General Magic, Kevin Drumm, Stephen Travis Pope, Trevor Wishart, Ubik, Zbigniew Karkowski & Kasper T. Toeplitz) 2001) Or Some Computer Music 2 - (featuring Albert de Campo, Atau Tanaka & Eric Wenger,...
In this article: Or Records, MiniDisc, Gescom, Curtis Roads, Incapacitants, Farmers Manual, Kevin Drumm, and Jim O'Rourke
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Electronicat
...is characterized by its constant switch between experimental noise and pop music. His early collaborations include work with Kasper T. Toeplitz on the project "Sleaze Art", work with various choreographers (e.g. Sylvain Prunenec), theatre...
In this article: Electronicat, Montreal, and Depeche Mode
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Description from Wikipedia:
Kasper T. Toeplitz is a french composer and musician (bass) of polish origin, born in 1960, who lives in Paris.
Working beyond the barriers too widely recognized between contemporary music - "Classical" - and what is termed non-academic - or simply "alive": in this case in point, it’s electronic music, or noise music. Thus he works just as much for the big institutions of State (GMEM, GRM, IRCAM, Radio-France) as with experimental or unclassifiable musicians, such Éliane Radigue, Zbigniew Karkowski, Dror Feiler, Tetsuo Furudate, Phill Niblock ou Art Zoyd .
Influenced by Scelsi and Xenakis, at first he wrote a lot for traditional instruments (he received several prizes and distinctions: 1st prize in composition for orchestra at the festival of Besançon, 1st prize in the "Opéra Autrement/Acanthes" competition, Villa Médicis Hors-les-Murs in New York, prize Léonard de Vinci in San Francisco, Villa Kujoyama in Kyoto, DAAD in Berlin); he has also written for his electric guitar orchestra, Sleaze Art. He then fully integrated the computer into his work, as much as an extension of his compositional thought, as for its use as a separate, genuine, live instrument (via the programming language MAX notably).
His experimentation into instrument-computer came to an end, in 2003, with the creation of BassComputer: an instrument with two entry points, a bass crossed with a computer - or conversely; a concept which he expands to other instruments (percussion in “Unfinished Metal Waves”, saxophone and hurdy-gurdy in “Dust Reconstructions”).
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