James Bernard

...scores for many Hammer horror films, including Dracula and The Curse of Frankenstein, were composed by James Bernard . Production designer Bernard Robinson and cinematographer Jack Asher were instrumental in creating the lavish look of the...

In this article: The Curse of Frankenstein, Hammer Film Productions, Universal International, Peter Cushing, Christopher Lee, Count Dracula, Dracula, William Hinds, and Jimmy Sangster

...Lee, Barbara Shelley and Richard Pasco. The film was photographed by Michael Reeves, and designed by Bernard Robinson . For the score James Bernard combined a soprano with a little-known electronic instrument called the Novachord. The film...

In this article: The Gorgon, Terence Fisher, Michael Reeves, John Burke, Peter Cushing, Richard Pasco, Christopher Lee, and Barbara Shelley

...with him on the original screen story for the Boulting Brothers film Seven Days to Noon (1950). For this Paul Dehn and Jame Bernard shared the 1952 Academy Award for the Best Writing, Motion Picture Story. Undoubtedly his best...

In this article: Paul Dehn, Benjamin Britten, Kevin Brownlow, Academy Award, RAF, Dracula, Nosferatu, and Wellington College

When Hotchkiss fell ill, Anthony Hinds asked conductor John Hollingsworth to recommend a replacement. Hollingsworth suggested James Bernard , with whom he had recently worked on a BBC radio production of The Duchess of Malfi. Feeling that...

In this article: The Quatermass Xperiment, Nigel Kneale, Val Guest, Quatermass, BBC Television, Quatermass 2, Brian Donlevy, and Richard Wordsworth

...Terence Fisher for Hammer Studios . The film was photographed in Techniscope by Michael Reed, designed by Bernard Robinson and scored by James Bernard . The film begins where the 1958 film ''Horror of Dracula '', also directed by Fisher,...

In this article: Dracula: Prince of Darkness, Count Dracula, Charles Tingwell, Dracula, Christopher Lee, Terence Fisher, and Francis Matthews

Seven Days to Noon is a 1950 British drama / thriller film directed by John Boulting and Roy Boulting. Paul Dehn and James Bernard won the Academy Award for Best Story for this film. The film is set some time in the 1950s. The British...

In this article: Seven Days to Noon, London, and John Boulting

...lyrics for two films, ''The Innocents '' (1961) and ''Moulin Rouge '' (1952). In 1949/50 he met the composer James Bernard with whom he started a professional relationship but who also became his life partner. Paul Dehn asked James Bernard...

In this article: Paul Dehn, Shrewsbury School, Brasenose College, Oxford, Planet of the Apes, The Spy Who Came in from the Cold, Deadly Affair, The Innocents, and Seven Days to Noon

...Christian, was known as Pic Ah Kelowna, "White Grizzly Bear"; her great uncle (brother of her maternal grandmother) was Chief James Bernard , a Sin Aikst leader in the early 20th century. Reyes' early childhood was spent largely on the...

In this article: Luana Reyes, Lawney Reyes, Indian Health Service, Bernie Whitebear, Tacoma, Washington, Oregon, Fried rice, Chinese food, and National Council

...it can be heard occasionally in horror and science fiction film scores, including many genre films from Universal Studios and James Bernard 's ethereal music for Hammer 's The Gorgon (1964). It was also used for the entr'acte music in...

In this article: World War II, We'll Meet Again, The Gorgon, Gone with the Wind, Universal Studios, and Vera Lynn

...Hospital in Nespelem, Washington, he was named "Bernard" after his great uncle (brother of his maternal grandmother), Chief James Bernard , a Sin Aikst leader in the early 20th century. Around 1970, as he became an activist, he changed his...

In this article: Bernie Whitebear, Lawney Reyes, Seattle, Gary Locke, Luana Reyes, Fort Lewis, and Tacoma, Washington