Franz Antel
Director
Caroline Vasicek...2000. In between was a sequence in the TV series''with''Medicopter and 2003 while they turned again under the direction of Franz Antel, Bockerer IV This was followed in August 2001 in Cologne the role of Stephanie in Saturday Night Fever... In this article: Vienna, Caroline Vasicek, Disney, Nannerl, Mulan, Elisabeth, Ariel, Dracula, and Franz Antel |
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Wikipedia | October 24, 2009
Ulrich Becher
...that he had created with Peter Preses, which went on to have great success in Vienna (and which was turned into a film in 1981 by Franz Antel). In 1954 he settled in Basel, and in 1976 he won the Lifetime Achievement Award of the Swiss...
In this article: Ulrich Becher, Rowohlt, Vienna, New York, Nazi Party, George Grosz, and Alexander Roda Roda
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Zentralfriedhof
...Ambros honours the Zentralfriedhof in his song "Es lebe der Zentralfriedhof" ("Long live the Zentralfriedhof") in 1975. Notables interred at the ''Zentralfriedhof'' (selection) Franz Antel (1913-2007), film director, writer and producer
In this article: Zentralfriedhof, Vienna, Rothschild family, Johannes Brahms, Franz Schubert, Arthur Schnitzler, Wolfgang Ambros, and Hamburg
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Bavarian porn
Today they live on as staples of late night European cable and satellite channels. Among the directors working in this genre were Franz Antel (Liebe durch die Hintertur, 1969; Das Love-Hotel in Tirol, 1978), Franz Marischka (Liebesgruße aus...
In this article: Godzilla, World War II, and Gert Wilden
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Edwige Fenech
...movies. She is best known for her erotic comedies , and began to work in that field in the late 1960s with Austrian director Franz Antel. Fenech also achieved fame with giallo films such as Five Dolls for an August Moon, Your Vice Is a...
In this article: Quentin Tarantino, Edwige Fenech, Inglourious Basterds, The Merchant of Venice, Five Dolls for an August Moon, Sergio Martino, Mike Myers, and Al Pacino
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The White Horse Inn
...musical triggered a number of spin-offs such as the 1961 Austrian comedy film Im schwarzen Roßl (The Black Horse Inn), directed by Franz Antel, about a young woman (surprisingly, it was Karin Dor again, who had just played Giesecke's daughter...
In this article: The White Horse Inn, Oscar Blumenthal, Berlin, and St. Wolfgang
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Franz Antel
...75 Jahren Filmschaffen von Franz Antel. Der Antel in Bildern und Anekdoten, Vienna 2006 (ISBN 3-85485-170-7) Franz Antel (with Bernd Buttinger): Franz Antel. Ein Leben fur den Film, Mariahof 2006 (ISBN 3-9501887-9-7, ISBN 978-3-9501887-9-0)
In this article: Karl Merkatz, Vienna, World War I, World War II, Hungarian Revolution of 1956, and George Hilton
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File:Kaiseball screenshot.JPG
...officer of the k.u.k. army. This low-resolution screenshot is used in the biographical article on Franz Antel as an example to illustrate the dozens of movies he made from the late 1940s to the 1960s, light comedies which fall into the...
In this article: Bad Ischl
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Description from Wikipedia:
Franz Antel (June 28, 1913 – August 11, 2007) was a veteran Austrian filmmaker.
Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, he began writing and directing films on a large scale. In the late 1940s, 1950s and 1960s these were mainly comedies (romantic, slapstick, and/or musical) and K.u.k. films all of which, for Austrian and German TV stations alike, have been a staple of weekend afternoon programming ever since. In between there is quite a sober film about the Oberst (Colonel) Redl affair that shook the Austro-Hungarian Monarchy on the eve of World War I.
From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. It was in particular his series of Wirtin ("hostess") films, directed under the pseudonym François Legrand, with which he tried to win international recognition. Titles included The Sweet Sins of Sexy Susan (1967), Sexy Susan Sins Again (1969), Wild, Willing & Sexy (1969) and Don't Tell Daddy (aka Naughty Nymphs in the U.S.A.) (1972).
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