Eliane Radigue
Composer and Musician
Drone music...works of dozens of other composers many of whom made parallel innovations including Young classmate Pauline Oliveros, or Eliane Radigue, Charlemagne Palestine, Yoshi Wada, Phill Niblock and many others. Then group member John Cale went on... In this article: La Monte Young, John Cale, Tony Conrad, Theatre of Eternal Music, Marian Zazeela, Velvet Underground, Dream Syndicate, Phill Niblock, Lou Reed, and Karlheinz Stockhausen |
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Wikipedia | November 01, 2009
Arman
...thirty-two meter monument consists of eighty-three tanks and military vehicles. Arman married in 1953 the electronic music composer Eliane Radigue (two daughters, Marion, 1951 and Anne 1953; one son Yves Arman 1954, deceased in 1989). He...
In this article: Arman, Andy Warhol, Yves Klein, Kurt Schwitters, Daniel Spoerri, and Paris
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Eliane Radigue
Eliane Radigue (born January 24, 1932) is a French electronic music composer. She started her work in the 1950s and her first creations were presented in the late 1960s. Until 2000 her work was almost exclusively created on a single...
In this article: Paris, Pierre Schaeffer, New York, Yves Arman, Milarepa, Pierre Henry, Biogenesis, Charles Curtis, and Kasper T. Toeplitz
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Sonic Arts Network
...pieces. The event has previously featured Bernard Parmegiani, Francois Bayle, Yasunao Tone and Ars Electronica Prize-winner Eliane Radigue. Some of the artists featured in Cut and Splice Acousmonium 2006 at the ICA included Russell Haswell,...
In this article: UK, John Cage, Birmingham, Plymouth, Leonardo Music Journal, Fluxus, Carl Michael von Hausswolff, University of Plymouth, and UbuWeb
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Kasper T. Toeplitz
...academic research organizations, such as GMEM, GRM , IRCAM, and Radio-France, as well as with experimental musicians, such as Eliane Radigue, Zbigniew Karkowski, Dror Feiler, Tetsuo Furudate, Phill Niblock and Art Zoyd . Citing Scelsi and...
In this article: Kasper T. Toeplitz, Iannis Xenakis, Zbigniew Karkowski, Phill Niblock, Eryck Abecassis, Dror Feiler, and Art Zoyd
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ARP 2500
...The Who, David Bowie, Skinny Puppy, Jean Michel Jarre, Jimmy Page and Vince Clarke. In the classical world, electronic composer Elaine Radigue has worked almost exclusively with the 2500. Contrary to popular belief, It was not the synthesizer...
In this article: The Who, David Hentschel, Baba O'Riley, Vince Clarke, Jimmy Page, Elaine Radigue, Jean Michel Jarre, Phil Dodds, Jeff Wayne, and Elton John
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Yves Arman
...Spain. Yves was an art dealer, collector, and writer. The son of French-born American artist Arman, and French composer Eliane Radigue, Yves was named after his godfather, Arman's best friend Yves Klein. Yves moved to New York in 1975...
In this article: Yves Arman, Keith Haring, Yves Klein, Marcel Duchamp, Spain, Monte Carlo, and New York
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The Stranger - Line Out | April 06, 2009
Ex-<i>Stranger</i> Intern Gets Reviewed in <i>The Wire</i>
...Off Light CD (on Root Strata): On Off Light, [Goodwin] discards all distortion in favour of a purer sound that recalls Eliane Radigue's L'Ile Resonante or Phill Niblock's Four Full Flutes… Despite being bereft of melody or...
In this article: Yellow Swans, Phill Niblock, and Portland
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Description from Wikipedia:
Eliane Radigue (born January 24, 1932) is a French electronic music composer whose work, since the early 1970s, has been almost exclusively created on a single synthesizer, the ARP 2500 modular system and tape.
She is born and grows up in Paris in a modest family of merchants at Les Halles. Latter she marries the French-born American artist Arman with whom she lived in Nice while raising their three children until 1967, then in Paris. She had studied piano and was already composing before having heard a broadcast by the founder of musique concrete Pierre Schaeffer. She met him shortly thereafter in the early 50s, she became his student, and worked periodically during visits to Paris at the Studio d'Essai. During the early 1960s she was assistant to Pierre Henry, during which time she created some of the sounds which appeared in his work. As her work gained maturity, Schaeffer and Henry considered her use of microphone feedback and long tape loops was moving away from their ideals, but her singular practice was still related to their methods.
Around 1970, she created her first synthesizer-based music at NYU at a studio she shared with Laurie Spiegel on a Buchla synthesizer installed by Morton Subotnick. Her goal by that point was to create a slow, purposeful "unfolding" of sound, which she felt to be closer to the minimal composers of New York at the time than to the French musique concrete composers who had been her previous allies. After presenting the first of her Adnos in 1974 at Mills College at the invitation of Terry Riley, a group of visiting French music students suggested that her music was deeply related to meditation and that she should look into Tibetan Buddhism, two things that she had very little familiarity with.
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